Jumbled Thoughts Falling Into Place
Thomas Pynchon’s “Entropy” reads as a collegiate anecdote
with the rambles of Kerouac and the refinement of Fitzgerald. By comparing and
contrasting two very different settings, Pynchon examines public and private
spheres in a physical sense as well as a social analysis. He carefully
assembles the initial party scene with delicate allusions to his finer taste
(exclusive LPs and cannabis sativa)
among strews of passed out girls. I imagine Meatball's shabby apartment occupied by
drugs, bottles, and grad students; an intellectual bender in which beatniks
sport horn-rimmed glasses and talk physics. From here, he moves to a quieter realm:
Callisto’s sanctuary upstairs. Intensive attention to detail creates a fine
balance of feng shui central to Callisto’s need for absolute harmony: “Hermetically
sealed, it was a tiny enclave of regularity in the city’s chaos, alien to the
vagaries of the weather, of national politics, of any civil disorder. Through
trial-and-error Callisto had perfected its ecological balance, with the help of
the girl its artistic harmony, so that the swayings of its plant life, the
stirrings of its birds, and human inhabitants were all as integral as the
rhythms of a perfectly-executed mobile.” Ironically, Castillo’s perfectly-crafted world
depends on the unpredictable forces of nature (birds and plants) and mankind (himself
and Aubade): “He and the girl could no longer, of course, be omitted from that
sanctuary; they had become necessary to its unity. … They could not go out.”
According to the laws of thermodynamics, this man-made ecosystem could not remain in
perpetual balance unscathed by outside forces. Eventually, Castillo’s entire world would implode in spite of his countless efforts to maintain it. As Meatball's party raged into its 41st hour, the slowing heartbeat of a dying bird one floor above determines the final state of whirling matter. Objects remain at rest as Aubade's fistfuls of broken glass bring the outside world into focus and, "the hovering, curious dominant of their separate lives should resolve into a tonic of darkness and the final absence of all motion."